An exploration of our relationship with the cultural constructs of hope, knowledge and industry through the myth of Prometheus. Commissioned by the Biennale Of Australian Art for their inaugural exhibition in 2018, drawn from the post industrial environment where it was to be exhibited, a long since abandoned meat processing factory in Ballarat, Vic.

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The opening performance was the catalyst for the evolution of the work during its six week long exhibition, during which the themes and our relations to them ; the plundering of knowledge / information, the sacrifice of hope through inaction, and the fall of industry / .rise of industrial waste.